The Truth
By Kabriel Moorehead
Smoke in the air paints a hazy canvas
On which a journey will be told
Like a player rising from the dugout
Ready for the final at bat
And dreaming of,
No knowing, that he must swing for the fences
The lack of fear in his eyes proves that after years of preparation
He is finally ready
But As with all men his age there are battle wounds
That tell of days where pure determination
Persevered over the pains of bad luck and wrong decisions
And As this figure gracefully moves through the shrouding haze
The only thing clear to the naked eye is how much he has grown
How the unrefined talents of the child
Were meticulously molded into the resolute character of a man
A figure draped in clouds
Yet one so tangible, one that I know so well
One that I've become
Copyright 2011| Kabriel Moorehead
Friday, December 30, 2011
POETRY: 'An Origin' by Ivan Mote II
An Origin
By Ivan Mote II
My pen infiltrates the notebook, leaving the paper to bleed with an idea that acts on its own.
Hands start to quake from words and palms begin to sweat with anxiety.
The increase of a heart rate causes the nerves to go on edge.
A brainstorm forms into a tsunami, then the irreconcilable force grows by feeding off the soul.
Tranquil surroundings around me have converted to wave patterns; swishing and swaying to the rhythm of my subconscious.
Then the finale.
A sun sets transverses my eyes, blinding me to the corrupt world, conspicuously coloring in the mistakes of my past with burgundy crayola.
Vitals gradually return to normal, and I have now returned to reality…
I have just written a poem.
Copyright 2011| Ivan Mote II
By Ivan Mote II
My pen infiltrates the notebook, leaving the paper to bleed with an idea that acts on its own.
Hands start to quake from words and palms begin to sweat with anxiety.
The increase of a heart rate causes the nerves to go on edge.
A brainstorm forms into a tsunami, then the irreconcilable force grows by feeding off the soul.
Tranquil surroundings around me have converted to wave patterns; swishing and swaying to the rhythm of my subconscious.
Then the finale.
A sun sets transverses my eyes, blinding me to the corrupt world, conspicuously coloring in the mistakes of my past with burgundy crayola.
Vitals gradually return to normal, and I have now returned to reality…
I have just written a poem.
Copyright 2011| Ivan Mote II
Friday, December 23, 2011
POETRY: 'Sound and Expression' by The Expressionists
Sound and Expression
By The Expressionists
Kabriel Moorehead
What begins as a cacophony of noises
Ends as a symphony,
A product greater than the sum of its parts.
We attempt to judge
And refine the incomprehensible
Unsatisfied with the simple truth that surrounds us;
The beauty of the human voice
Is that it is not measured in volume or pitch
But in impact and substance
A voice makes no sound in space
But when crafted
And presented in the correct form
A single note can change everything
Because to create is to live, so live to create
To create is to live, so live to create
Robert Drake
This symphony is more than
just a verbal manifestation of our
current thoughts; Who would've
thought that Sound and Expression were
the ingredients for Voice.
We use this gift as a medium
to make contact, to touch beings
of an otherworldly make-up.
Let your words travel safely through those
unbreakable barriers,
let them reach the ears of that lost child
searching desperately for guidance
with an outstretched hand,
let those words be more than a
expression of cool locked inside
a small box.
Let it be the key,
that opens the box containing
your Voice; finally
freeing you from life’s
Instrumental...
Yasmine Richards
Lalophobia. Fear of speaking
Speaking is just not saying things that are irrelevant
It's a vent, It's the echoes of cries that makes the heart
cringe
Speech is dominant, the tongue of words are lethal to
people's perceptions,
Intercepted by the muffled vibrations that tremble upon the
lips,
Instead of overflowing wet tears on flushed cheeks,
And opening a passage way of someone knowing every
,single,detail of your life,
Articulate with conviction to extend the limits of intuition
Reginald Drake
When we speak,
Our words form harmonized holograms that
convey picturesque images of camouflaged thoughts
that transcend the ordinary boundaries of time,
opening a gateway into the heart, mind, and soul in mere
moments.
Pupils dilate when the sweet symphony of our voices hit
eager ear canals,
And hearts reach out to grasp our concept,
peeling apart the indiscernible wall separating two worlds
that now remain fixated on the same message.
These verbalizations pierce like daggers into the souls of
each individual,
creating a common understanding of a shared revelation,
and the ethereal oration of our subdued unconscious is
revealed;
to be a public disclosure,
Of a collective heart...
George Abraham
Listen. Hearts beat,
Lips part, lungs respire,
Tongues dance on the rooftops of oral cavities
To utter a single, invisible form of resonating energy.
These waves travel at 340 meters per second in
multidimensional space
Only to inoculate audio sense detectors
To disturb the subtle gaseous equilibrium of the hammer,
stirrup, anvil
And finally activate transduction in the cochlea
All within a fraction of a second.
And as this goes on, our galaxy spirals
Into the great unknown as we live our daily lives
On the minute hand of the clock
When all there really is to contemplate is
the ability to contemplate.
Pauline Muturi
A voice,
is not just uttering sounds through the mouth
It’s the matter of articulating every expression
unifying statements with creativity.
A concurrence of stimulation within one self,
harmonizing parts,
combinations of spontaneous performances
always on one accord.
Like the beating of ones heart in unison,
boisterous and audible.
A distinctive vocal utterance, notable to all individuals.
A sound, a beat, a vibration
All speaking the language of verbalization.
A voice.
Desirae Lee
It’s time to break a leg
that statement is simply a synonym of commencement
to show the world
that there is nothing that can stop the sound
flowing through hieroglyphics called letters
making words to support a voice
collective thoughts becomes a masterpiece
dancing across a stage of airwaves
beautifully transforming into an invisible monstrosity
seen only through listening ears
they pound at the ticket booth entrance doors of eardrums
breaking through to the theater of the mind,
assembling the props to set a scene of mental focus
pull back the heavy curtains of unexpressed silence,
because it’s Showtime...
Knight
And here we are,
standing on the edge of reason
looking across the vastness of dreams
through a fog of self-doubt and criticism
declaring our right to write,
our right to speak,
embracing sound in each breath;
in each word a universe of complexity,
a life’s passion
carved out in verse;
We look out at the world,
the void of emptiness,
filled with a mantra
destined to exist forever,
to echo through the ages:
“to create is to live,
so live to create.”
our truth, in multiple syllables,
spread across a blank sky
enshrouds scores unwilling to speak;
we know to express is to live
and to live is to wonder
with certitude, with conviction,
with creativity...
never left to question what could be,
always celebrating what is...
being what we are with absolute promise
with hope and resoluteness as our beacons of
light.
Copyright 2011| The Expressionists
Wednesday, December 21, 2011
'Journal Entry #1' by Ana Hagins
I
don’t know what to say. Normally I can think straight enough to put my words in
poetic form, but at this point I have too much to say, and I’m lucky to even be
able to put it in words. So where do I begin? I’ll start with a confession: I
am in love. I hear people tell me that love hurts, and it’s so true. But, see,
normally in those situations it’s a two-player game, but this time it’s just
me. I care about him and he knows it. It doesn’t matter to him though, and that’s
what hurts more than anything. He has a pattern…It’ll be me and him at the
beginning of the summer; then around October – Novemberish he finds somebody else to be with, but he always comes back
because he knows that I will be here with my heart and arms wide open. It’s all
pointless because I’m trying to hold on to something that isn’t there. I try
not to be driven by my emotions because I always end up in the same spot, torn
apart, in a corner crying.
It
makes everything scary. My biggest fear is getting my heart broken, being
betrayed by the one person you give everything to because apparently it wasn’t
enough to keep them satisfied. Maybe it’s a sign from God telling me that
relationships can wait; there’s no rush, but I already know that.
I
am scared of emotions. They make you vulnerable. They hurt. They expose you,
leaving you naked and cold for the world to see how feeble you really are. I
would love to be completely open about the way I feel without doubting their
intentions. I have best friends, but not close friends because there is such a
thing as betrayal, and who worse to let you down than the ones closest to you?
That’s why my biggest fear has become a reality; I have let him in, and he has
seen my passions. I opened myself up like a book and he read every word but has
yet to understand the contents written on the pages. It’s almost as if I’m
unwritten; so now I only have a front and back cover to show but nothing in the
middle to share with anyone else.
I
am an open sore. When I am in the process of scabbing over he comes and peels
it away.
I
know it’s hard for some people to believe that Ana Hagins would cry over a boy,
but what can I say? I’m human. I’ve had my mentor and wise counsel tell me to
let him go, and I try so hard, but there’s something about Bru…
I
mean…there’s something about him that I can’t get over; it’s so frustrating
because I don’t know what it is.
Tuesday, December 6, 2011
POETRY: 'The Ink-Stained Souls' by Jazelle Handoush
By Jazelle Handoush
Tongues are tied of tales to tell
And we stain ourselves with stories.
The ones with written remembrances
Who paint pictures of past
of present,
of tomorrows yet breathed.
Our fingertips are black and blue
And words scatter on skin
Of things unsaid, yet to be told,
of adventure, of love, of sin and glory.
We bleed black, yet savior yet drop
Bottled up for later use.
For what we tell is a part of us
For what we tell shall be
part of you.
Writers rewrite realities,
Then edit and revise the world.
We provide roundtrip vacations to preferred
And open blind eyes to light by words.
We are the cursed of the Ink-Stained Souls
For we see all, try to tell, but go ignored.
We bleed black and barter realms unknown
For an escape from the chaos of our "home."
But here's the secret so whispered well,
A secret generations of the cursed endear:
The novel of fabrications you leave unread
Will be bona fide to life by the end of the year.
Copyright 2011 | Jazelle Handoush
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